Real photo of Jesus, an original photo of Jesus

The photo below is from a negative image on an ancient Jewish burial cloth. The image on this burial cloth is in the negative format - that is like what appeared on film negatives of our olden days cameras. The positive print from the negative on the ancient burial cloth is the photo pictured here.

Turin Shroud face of Jesus?
Face of Jesus from Shroud of Turin

This ancient Jewish burial cloth is believed by millions of people around the world to be the burial cloth of Jesus and the image on the cloth is believed to be a miraculous picture of himself which which Jesus left on his burial cloth for us to see and believe. This burial cloth is known as the Shroud of Turin and it is the most researched piece of cloth in the history of mankind. Scientists still have no idea as to how such a perfect photo negative image could be imprinted on an ancient burial cloth.

The ‘Shroud of Turin' is a long piece of linen cloth measuring 1.1 Meter wide and 4.4 Meters long (3.6 x 14.4 feet). The image on the Turin Shroud is not clear when you look at it directly. But when the negative image on the cloth is turned into a positive image, you get a perfect photo far superior to any photo taken with modern day cameras. As explained below, the Shroud picture produces a 3D image with a NASA instrument. Many photos taken with the best of modern day cameras could not get this 3D effect on this NASA instrument. The very first photo of the Turin shroud was taken in 1898, and the photographer could not believe his eyes when he saw the negative of the photograph. This positive photo of the image on the Shroud of Turin (the photo above), hit world headlines and from then onwards the Shroud of Turin has been subject of many scientific tests as detailed below.

What the Shroud of Turin looks like

Below image is what the shroud of Turin looks like when it is completely stretched out to its full length when it measures 14.4 feet or 4.4 Meter in length and 3.6 feet or 1.1 Meter wide.

The Shroud of Turin shown stretched out to its full length
Shroud of Turin stretched out: Length=14.4 feet or 4.4 Meter; Width=3.6 feet or 1.1 Meter

The ancient linen cloth of the Turin Shroud is yellowed with age and on it is a very faint image of the frontal and back view of a human body. The picture below shows how long pieces of cloth were used for burial 2000years ago during the time of Jesus. The entombment or burial using a burial cloth, was the custom in those ancient days. This explains the formation of images with frontal and back views in the two halves of the cloth.

Painting showing how Jesus was wrapped in long piece of cloth, known as a Shroud, befor entombment in Joseph of Armethea's cave
How Jesus was wrapped in long piece of cloth for burial

The Shroud of Turin has been preserved with utmost care in the Royal Chapel of the ex-kings of Italy in the city of Turin in Italy from the year 1578 onwards. Since the holy Shroud is preserved and kept in the Royal Cathedral of Saint John the Baptist in Turin, Italy, it is commonly referred to as the 'Shroud of Turin' or the 'Turin Shroud'.

History of the Shroud of Turin

Before the year 1578 historical facts traces this cloth back to France, then to Constantinople (now renamed as ‘Istanbul’), then back to the city of Edessa (now ‘Urfa’ in Turkey) where the Shroud was found hidden in a wall in about the year 525 AD, before this several historical documents point to The Holy Shroud being given to King Abgar of Edessa (an independent kingdom aligned with the Kingdom of Parthia during the time of Jesus) by the Apostles of Jesus - St. Thomas and a newly appointed appostle, Thaddaeus (Addai)

First Photograph of the Shroud of Turin

More than one hundred years ago, on 28th May, 1898 an amateur Italian photographer, Mr. Secondo Pia, took the first photograph of the image on the Shroud of Turin. He was startled by the resulting negative on which was a perfect positive image of a very noble looking man.

The photos below show on the left: what the actual image on the cloth looks like and on the right: what the negative of the image on the shroud looks like. The photo on the right is a negative of the negative image on the shroud, thus a negative of a negative, that is 2 negatives, gives a positive.

Turin Shroud face of Jesus, the actual image on the shroud of Turin on the left and the photo negative of that image on the right
Actual image on the Shroud (left) - Photo negative of that image (right)

Ever since Mr. Secondo Pia took the first photograph of the shroud in 1898, the Shroud of Turin has been the subject of intense scientific study. A negative image is what appeared on developed films (negatives) back in the days of 35mm photography. No one could understand how a perfect, full length negative image of a human body could be imprinted on an ancient piece of linen cloth. Scientists found it difficult to accept the fact that it was a miracle, but to date no one has been able to find an explanation. When the scientists did investigations with very modern sophisticated instruments, even more surprising facts emerged. They discovered that the image on this ancient cloth is more than just an ordinary photo negative, it also has digital information from which 3D images could be made. Many other surprising findings were also made, as detailed below.

Normally a photo captures the reflected light bouncing off the subject being photographed. This means that there will always be some areas with shadows on the photo, like on the eyes or behind the nose. The Shroud photo has absolutely no shadows; it is as if the light originated from the body of the subject, and radiated out of the body itself to form the image.

Digital 3D data on the Shroud of Turin image

A few years after the invention of photography, the first revelation of the miraculous photographic quality of the Holy Shroud occurred in 1898 when Mr. Secondo Pia took the first photograph of the Holy Shroud. With the advent of the Digital Age, the second revelation of the miraculous digital qualities of the Holy Shroud occurred in 1976, when American Physicist John Jackson and colleague Bill Mottern scanned a Shroud photograph on a VP-8 digital image analyser. The VP-8 image analyser is an instrument used by NASA (the American Government space agency which sends rockets into space and made men walk on the moon) to convert photos of the surfaces of Planets like the Moon and Mars into topographical maps – that is to make three dimensional - 3D maps showing mountains and valleys. The VP-8 image analyser produced a perfect 3D image of the shroud photo. These scientists had tried many other photos, before and after, on the VP-8 to get a 3D result, but they never got a 3D result with any photo except from the Holy Shroud Jesus photo. The results on the Shroud were so spectacular, that these hard core scientists are convinced that it is a miraculous image of Jesus Christ. Seen below is the 3D image created on the VP-8 image analyser.

The 3D image produced by the VP-8
The 3D image produced by the NASA image analyser VP-8

Sudarium of Oviedo

In the bible mention is made of another cloth used in the burial of Jesus

"Simon Peter, following him, also came up, went into the tomb, saw the linen cloth lying on the ground, and also the cloth that had been over his head; this was not with the linen cloth but rolled up in a place by itself." (John 20:6-7).

The linen cloth refers to the Shroud of Turin, while the other cloth refers to the Sudarium of Oviedo.

The Sudarium of Oviedo has resided in the Cathedral of Oviedo in Spain since the 8th century. This small 83x53 centimeters (2.75 x 1.75 feet approx.), blood stained piece of linen cloth, is revered as one of the burial cloths mentioned in the Gospel of St. John. The Sudarium of Oviedo is traditionally held to be the cloth that covered the head of Jesus.

The Sudarium's existence and presence in Spain is well documented since the seventh century. Before this, historical evidence trace the location of the Sudarium to Jerusalem since the first centaury AD.

Forensic analysis of the bloodstains on the Shroud and the Sudarium reveal that both cloths covered the same head at nearly the same time. Based on the bloodstain patterns, the Sudarium would have been placed on the man's head while he was in a vertical position, presumably while still hanging on the cross.

A 1999 study by the Spanish Center for Sindonology, investigated the relationship between the two cloths. Based on history, forensic pathology, blood chemistry (both the Shroud and the Sudarium have type AB blood stains), and the blood stain patterns being exactly similar and congruent on both cloths, they concluded that the two cloths covered the same head at two distinct, but close moments of time.

To quote from the Wikipedia article "Using infrared and ultraviolet photography and electron microscopy, researches of the University of Valencia for the Spanish Centre for Sindonology showed that that the Sudarium of Oviedo has touched the same face as the Shroud of Turin, but at different stages after the death of the person. The Oviedo Cloth covered the face from the moment of death until replaced by the Turin Shroud. The bloodstains on both cloths are of the blood type AB. The length of the nose is the same (8 centimeters or 3 inches). Pollen samples from the both cloths match each other – one example is samples from the thorn bush Gundelia tournefortii, which is indigenous to the Holy Land".....Read More

Carbon Dating of the Shroud of Turin

In 1988, a small piece of cloth was cut from one of the corners of the Shroud and divided into postage stamp size pieces and given to 3 reputed International labs to do a Carbon Dating Test to determine the age of the Shroud. The results from all 3 labs said that the cloth was dated between the years 1260 and 1390. Later on it was proved that there was an error in the carbon dating dates due to the samples being taken from the corners of the Shroud which had repair threads in it and not being of the same composition as the main body of the Shroud cloth. ......More

Proof that the Shroud of Turin is real and authentic

Many amazing facts have emerged on detailed scanning of the Shroud of Turin with modern technologies like UV scanning, etc. which prove that the Shroud of Turin is real and authentic. Most of the eminent scientists, who conducted these experiments, actually started out believing that the Shroud of Turin is a fake. But, on seeing the unexplainable phenomena of the Shroud of Turin image, many of them are now the most vociferous supporters of the Shroud being the genuine burial cloth of Jesus, and that the image thereon, is a miraculous picture of Jesus Christ.

No one has been able to duplicate the image on the Shroud of Turin

Even though many modern scientists, photographers and painters have tried to make a similar image on cloth, no one has succeeded. If the holy Shroud were a fake, then a forger, sometime before the year 1578 (the year the holy shroud came to be kept with utmost care in Turin), produced a masterpiece that not a single modern man has been able to duplicate.

Just imagine the supposed forger doing the following

Considering all this, it is impossible for a forger, even the most cleverest, to have made such a Shroud. Modern scientists, even the cleverest scientists of today, from the leading research institutions of the world, are unable to understand or explain how the image on the Shroud was formed.

Claims of Leonardo Da Vinci made the Shroud of Turin

Some people claim that the great medieval artist and scientist, Leonardo Da Vinci, of having made the shroud. They even called it the 'Da Vinci Shroud' and aired programmes on Discovery Channel. They base their argument on the similarity of his paintings with the image on the holy Shroud.

The claim of Leonardo Da Vinci making the Shroud of Turin is based on the fact that many of his paintings can be overlaid on the Shroud image to give exact matches. But it is quite possible that Leonardo Da Vinci must have seen the image on the holy Shroud and, being impressed with the noble image on the holy Shroud, made his paintings using the Shroud image as the model. Da Vinci was not the first one to make paintings using the holy Shroud image as the model.

In 525 AD, the holy Shroud was discovered hidden above a gate in Edessa's city walls. Six years later, an icon (a religious work of art / painting) was produced at St. Catherine's Monastery in the Sinai. This icon, the Sinai Christ Pantocrator Icon, is for sure based on the image on the Shroud as can be seen in the following photographs

The Sinai Patocrator Icon compared with the Picture of the Shroud using grid lines to show an exact match
Sinai Patocrator Icon and Shroud image with grid lines to compare exact match
Parts of the Shroud picture being overlaid on the Pantocrator picture and shows exact match between the two pictures. This is a clear proof that the Pantocrator Icon was painted using the Shroud image as the model
Shroud picture overlaid on Sinai Patocrator Icon shows exact match between the two pictures. Clear proof that Pantocrator Icon was painted using Shroud image as model

Similar matching overlay of the Shroud image on Leonardo Da Vinci paintings was the basis of the claim that Da Vinci made the Shroud. The Christ Pantocrator icon, painted in the year 550, also has perfect overlay as shown above. So the argument about the Da Vinci Shroud is not correct. Leonardo Da Vinci must have seen and used the Shroud image as his model.

How do we know what Jesus looked like

What does the bible say about how Jesus looked? Unfortunately the Bible does not give a physical description of Jesus. The Sinai Patocrator Icon is one of the first depiction of Jesus with a beard and this icon painting is for sure based on the Shroud of Turin image. So the only authentic image of Jesus from which we know what Jesus really looked like is the image on Jesus burial cloth, the Shroud of Turin

Veronica's Veil and Jesus face on Veronica's Veil

The story of Veronica is celebrated by Catholics in the sixth Station of the Way of the Cross, even though The Holy Bible does not say anything about a person 'Veronica' or about the 'Veil of Veronica'. Scholars believe that there was actually no person called Veronica, and that the popular belief in Jesus image on Veronica's Veil actually refers to the miraculous image of Jesus on the Holy Shroud of Turin. The name "Veronica" is believed to have originated from the Greek words 'Vera Icona' with the meaning 'true image' in English. The Bible was originally written in Greek, the popular scholarly language during those times. Because of the similarity of the Greek words 'Vera Icona' and 'Veronica', many scholars believe that with the passage of time, the story of a veil of Veronica emerged instead of the original 'Vera Icona' or the true image of Jesus on the Shroud.

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